OH MY GOD, PEOPLE.
1. Lars Mikkelsen needs to be in some more stuff I can watch NOW.
2. Caroline Proust needs to be put in charge of plotting Spooks or something.
3. I would really like to see a British programme written the way Spiral is described as being written.
4. Hot Lady Cop from The Shadow Line is going to be in Luther, YAY.
5. I think Luther might just be a bit amazing.
http://www.telegraph.co.uk/culture/tvandradio/8427195/The-Killings-Lars-Mikkelsen-Danish-newspapers-are-talking-about-you-raving-about-it.html
Then at some point my fiancée, who is now my wife, came home from a jugglers’ course and could juggle three balls after two days and I was sitting reading huge books in my first term. I thought, ‘This is ridiculous I want to do that’. So I was a juggler for five years and toured around Europe on the streets: Munich, Paris, everywhere. Then I got into theatre and then I applied for the drama schools and now I’m here.”
http://www.guardian.co.uk/tv-and-radio/2011/may/03/meet-spirals-feminist-anti-hero
Proust chose Berthaud's look and wardrobe (she was reading Dennis Lehane at the time and was inspired by Angela Gennaro), and likes to place her own props on Berthaud's desk. She dreamed up her own Berthaud backstory which isn't mentioned in the script – that her sister was murdered as a child, which inspired her to join the force. Occasionally she inserts her own lines, such as a racist insult about couscous while interrogating Arab suspects in the second series. "It's good to show it, because it happens in real life," she says.
She would now like Berthaud to fall for a woman, ideally an affair with Josephine Karlsson, the beautiful but scowling lawyer who hates Berthaud's guts. "God knows how it would happen but it could be fun."
Realism is an obsession for Proust. Spiral is co-written by a police officer (under a pseudonym) and officers are on set to advise on everything from how to touch a dead body to how to fight with a superior. Proust consults them on how to move and what tone of voice to take. She trails them on the job and take notes. She cringes: "Actors dream up so many things about cops. In films, you see cops bash down a door and burst in screaming: "POLICE!" It's not aways like that."
( Spoilers for Luther - Idris Elba interview )
1. Lars Mikkelsen needs to be in some more stuff I can watch NOW.
2. Caroline Proust needs to be put in charge of plotting Spooks or something.
3. I would really like to see a British programme written the way Spiral is described as being written.
4. Hot Lady Cop from The Shadow Line is going to be in Luther, YAY.
5. I think Luther might just be a bit amazing.
http://www.telegraph.co.uk/culture/tvandradio/8427195/The-Killings-Lars-Mikkelsen-Danish-newspapers-are-talking-about-you-raving-about-it.html
Then at some point my fiancée, who is now my wife, came home from a jugglers’ course and could juggle three balls after two days and I was sitting reading huge books in my first term. I thought, ‘This is ridiculous I want to do that’. So I was a juggler for five years and toured around Europe on the streets: Munich, Paris, everywhere. Then I got into theatre and then I applied for the drama schools and now I’m here.”
http://www.guardian.co.uk/tv-and-radio/2011/may/03/meet-spirals-feminist-anti-hero
Proust chose Berthaud's look and wardrobe (she was reading Dennis Lehane at the time and was inspired by Angela Gennaro), and likes to place her own props on Berthaud's desk. She dreamed up her own Berthaud backstory which isn't mentioned in the script – that her sister was murdered as a child, which inspired her to join the force. Occasionally she inserts her own lines, such as a racist insult about couscous while interrogating Arab suspects in the second series. "It's good to show it, because it happens in real life," she says.
She would now like Berthaud to fall for a woman, ideally an affair with Josephine Karlsson, the beautiful but scowling lawyer who hates Berthaud's guts. "God knows how it would happen but it could be fun."
Realism is an obsession for Proust. Spiral is co-written by a police officer (under a pseudonym) and officers are on set to advise on everything from how to touch a dead body to how to fight with a superior. Proust consults them on how to move and what tone of voice to take. She trails them on the job and take notes. She cringes: "Actors dream up so many things about cops. In films, you see cops bash down a door and burst in screaming: "POLICE!" It's not aways like that."
( Spoilers for Luther - Idris Elba interview )